European Film Academy honors Ivens and Liftbridge as Treasure of European Film Culture

The European Film Academy (EFA) honors Joris Ivens, The Bridge (1928) and the vertical-lift bridge in Rotterdam (Koningshaven Bridge) by including it as Treasures of European Film Culture. It is for the first time that a Dutch filmmaker and location is included in this growing list of in the meanwhile 49 European locations in 24 countries, which or of extreme importance for the European film culture. According to the EFA these places of historical value need to be maintained and protected not just now but also for generations to come.Famou ...

'Selling a Colonial War' proofs Dutch propaganda and censorship

After Joris Ivens made Indonesia Calling (1946) he was immedialtely accused of anti-Dutch propapaganda. Officers of the Secret Service also immediately proposed to withdraw Ivens'passport. Not in 1951, but already in 1945. In a new documentary Selling a Colonial War filmmaker In-Soo Radstake casts a broad view of perpectives, among others a remarkable view of former Dutch minister of foreign affairs Ben Bot. He confirms that it was the Dutch government itself which used pure propaganda, censorship and concealing language to disinform or not inf ...

Absurd spy thriller about Ivens and Van Dongen is indeed absurd

The Second Stage production of Spain in the Tony Kiser Theater in New York presented in December '23 a play about The Spanish Earth with Joris Ivens, Helen van Dongen, Ernest Hemingway and John Dos Passos as the protagonists. Jen Silverman writes that Spain is not “a history play in the most conventional meaning.” It’s “set in 1936 in the West Village,” she says, then adds, “Sort of.” "This 90-minute comedy-drama is an absurdist-tinged fantasy that seizes a moment of history and bends it to the breaking point", she continues. And ...

A performance of Rain at a Climate Change programme

During a concert at the 'Felix Mendelssohn Bartholdy' University of Music and Theater in Leipzig the subject of Climate Change was íllustrated' by Ivens' film Rain/Regen (1929) accompanying Hanns Eisler’s "14 Arten den Regen zu beschreiben" (*Fourteen Ways to Describe Rain). In a packed great concert hall this magnificent performance became a marvellous highlight of the night. The musicians played with energy, joy and much competence. Hanns Eislers and Joris Ivens art works were much appreciated by the audience and critics as well.The initia ...

A Gift of Ivens films

Recently the Ivens Foundation received six reels of a working copy of The 17th Parallel (1968). Laurence Lefèvre gave these reels to André Stufkens in her place in Montreuil. She got this working copy from her sister, the late Liliane Korb, who passed away in 2022. At the age of 26 Liliane Korb edited this long documentary about the peoples war and fight for independence of the Vietnamese people against the US occupation. Previously the Ivens Foundation also received an old print of Borinage from the Limburg Museum. Liliane Korb Lilia ...

How an Ivens film helps to reconstruct cultural heritage in Valparaiso

In 1963 Joris Ivens made, together with students from the university in Santiago de Chile, a poetic film mosaic of the Chilean harbour city Valparaiso, called …à Valparaiso. This film is part of the cultural heritage of this city, in 2003 elected UNESCO World heritage. Amanda Panizza Hevia published a plan to reconstruct the Casa de Los Siete Espejos (‘The House with Seven Mirrors’) as part of a new department of the regional archives of Valparaiso. ...

FICBUEU HONORS THE SHORT DOCUMENTARIES OF DUTCHMAN JORIS IVENS, A LEGEND OF SOCIALLY CONSCIOUS CINEMA

The 16th Bueu International Film Festival pays tribute to Joris Ivens with both a retrospective of his short films and a splendid monograph on Ivens, written by Severiano Casalderrey. This book will be presented on Sunday 17th of Sepyember, it is the very first monograph on Ivens in the Galician language: La Expansion del documental a través de los cortometrajes de Joris Ivens (1898-1989).

Indonesia Calling at Independence Day Ceremony MuSeaum Sydney

On 17 August the MuSeaum in Sydney - aka the Australian National Maritime Museum - will organize a ceremony to commemorate Independence day of the Republic of Indonesia. Next to the presentations Ivens' short documentary film Indonesia Calling will be screened. In June prime-minister Mark Rutte of The Netherlands finally - after almost eight decades (!) - 'fully and without any reservation' acknowledged 17 August 1945 as the independence day of Indonesia.

The films of Ivens and photos of Krull reunited in an expo on Varietés

Huis Marseille, Museum for Photography in Amsterdam, presents until 22 October 2023 a special collection of avant-garde and surrealistic photographs, deriving from the Belgian art magazine Variétés dating from the 1920's. Next to 43 photos made by Germaine Krull also two films of Joris Ivens are shown permanently: Etudes des mouvements (1927, Paris, A Study in movement) and The Bridge (1928, Rotterdam). The film images of Ivens and the photos of Krull are very closely connected: these not only show the same subject matter: metal, th ...

Women and the Far East in The 400 Million

During the Hanns Eisler Discourse at Humboldt University in Berlin on 5 and 6 November Japanese scholar Chiharu Wada (Meiji-Gakuin University, Tokyo) will lecture about Women and the Far East in the documentary The 400 Million (USA, 1939). Joris Ivens' documentary The 400 Million deliberately presents a "new" image of China, where women and men study together, "as in America". It is Ivens' perspective for a modern Chinese society in which women are equal to men, although this representation did not really matched reality in society i ...

A dissertation about the long relationship between Ivens and China

On 21 September Tian Wang (1976, Tongxiang 桐乡) was appointed doctor after a succesful defence of her dissertation 'Joris Ivens et la Chine : histoire d'une longue relation' between 1938 and 1988. It was Régis Debray who advised her to study Ivens’ films in the framework of the theories of French historian Marc Ferro ‘Le film, l’agent et produit de l’Histoire’. For Tian Wang it was essential not only to study paper documents, but especially to meet and speak the people involved, both in China and the West. The 572 pages of te ...

A short film about 50 years of solidarity between The Netherlands and Quang Tri 1972-2022

The Vietnam Film Institute has produced an engaging, short film Quang Tri - 50 Years of Aspiring for Peace. This deals with various forms of solidarity between the Netherlands and Quang Tri province over half a century (1972 - 2022). This film also shows about the work of USA Veterans regarding a culture of peace and portrays Chuck Searcy the chairman of Veterans for Peace (USA) speaking about 'Building a culture of peace and healing the wounds of war'.

Exhibition on Ivens in Quang Tri: Destination of Memories

On Monday July 25th the Vietnamese Minister of Culture and Tourism, Mr.Nguyen Van Hung, opened an exhibition in the Quang Tri Mine Action Centre (QTMAC) and Restoring the Environment and Neutralizing the effects of the War (RENEW). about Joris Ivens and the Medical Committee The Netherlands-Vietnam (MCNV). The Ivens Foundation in close collaboration with the Vietnam Film Institute created the panels about the relationship of Joris Ivens and Marceline Loridan-Ivens with Vietnam between 1965 and 1970. Their support of the liberation struggle ...

Looking for my father in an Ivens film

Recently a citizen from Montpellier travelled 1200 kilometres to visit the Joris Ivens Archives in order to find his biological father. There are many reasons why people around the world consult the Ivens collection, but this is a very special and personal one. He wanted to look for his father, which he has never known and met, in Ivens’ documentary Peace Will Win (1951)

In 1963 Joris Ivens made, together with students from the university in Santiago de Chile, a poetic film mosaic of the Chilean harbour city Valparaiso, called …à Valparaiso. This film is part of the cultural heritage of this city, in 2003 elected UNESCO World heritage. Amanda Panizza Hevia published a plan to reconstruct the Casa de Los Siete Espejos (‘The House with Seven Mirrors’) as part of a new department of the regional archives of Valparaiso.

In the 20^th century this House of Seven Mirrors housed the Roland Bar and had a certain reputation among sailors, intellectuals, bohemians and artists. It is located in the ‘barrio bohemian’ or ‘barrio cina’, and together with the Yako Bar, American Bar, Bar La Playa, Liberty Bar, El ‘69’, El ‘66’, Miss Merry and La Casa Amarilla shaped a bohemian atmosphere of unique freedom on various fields: culture & the arts, gender and politics. This bohemian culture deserves to be saved and revitalized, according to Amanda Panizza. For this she made a plan to reconstruct La Casa de los Siete Espejos as part of a department of the Regional Archives of Valparaiso. However of the original house is hardly anything left, in fact only the memory in the minds of the people, some archival documents and a shed. So Panizza based her reconstruction of the building on two artists and their art works : Joris Ivens with is film images an set photos and Sergio Larrain with his series of photos. The film sequence in the Roland bar which Ivens filmed is a key moment in the film, an explosive switch, caused by a fight between two men who competed for a woman. The bar-sequence is in black-and-white, but when glasses of beer and wine are thrown to one of the seven mirrors, the scarfs of glass turn into a red color of blood and opens the colored final part of the film. The European Foundation Joris Ivens provided Panizza of the necessary photos to make the reconstruction of the various rooms of the bar.

It would be great if Panizza’s reconstruction and plans could be realized. There is another example how Ivens’ film images influenced the saving of cultural heritage: His film The Bridge was one of the arguments to keep the Lift Bridge in Rotterdam as a sculpture, and a monument in Rotterdam. Otherwise it would have been destroyed, and instead became an icon of the harbour city.