Group photo of the photographers working in Amsterdam (ARFOT `s) seated, second from right, Joris Ivens. 1931, Coll. JIA, Nijmegen.

A major international exhibition on the history of the workers photography at theMuseo Nacional Centro de Arte Reina Sofia in Madrid with more than a thousand pictures, magazines, books and filmsshowing illustrate the importance of the workers` photography. Pictures from Robert Capa, Henri Cartier-Bresson and John Heartfield, but just as good pictures of anonymous photographers and snapshots.The Ivens` films Komsomol (1933), Borinage(1934) and The Spanish Earth (1937) are continuousily screening.

According to curator Jorge Ribalta, the international workers`photography are a key moment in the history of photography. This movement, created between the two world wars, is often ignored, underestimated or marginalized, but the exhibition catalog and symposia photography show that the workers introduced a new model of photography. This new model developed by conscious rebels against the bourgeois `model`of photography. But the ARFOT model includes not only a modernist aesthetic, based on the mechanics of the camera and the mechanics of degrading industrial world, in production and distribution (through magazines, newspapers, books, movies,unions, political associations and exhibitions inside and outside) but the ARFOT was a serious alternative to the bourgeois photography, media and cultural world. 

Joris Ivens is the Dutch leading figure within the movement. His stay in Berlin, the Soviet Union, Frankrijk and the U.S.A. provided direct contact with the workers` expressions of photography.Through his films he gave a personal twist on the development.

The exhibition is on show until August 22, 2011

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